A Film is a Film: The Avant-Garde Cinema of the 1960s - José Lino Grünewald
A Film is a Film: The Avant-Garde Cinema of the 1960s
In "A Film is a Film: The Avant-Garde Cinema of the 1960s," José Lino Grünewald takes readers on a journey through one of the most exciting and innovative periods in film history. This book is a must-read for anyone interested in the avant-garde cinema of the 1960s, as well as for anyone interested in the history of film in general.
A New Era of Cinema
The 1960s was a time of great change and upheaval in the world, and this was reflected in the cinema of the time. The traditional Hollywood studio system was in decline, and independent filmmakers were experimenting with new forms of filmmaking. This led to the emergence of the avant-garde cinema, which rejected the conventions of traditional cinema and sought to create new and challenging works of art.
Key Figures of the Avant-Garde Cinema
Grünewald's book profiles some of the key figures of the avant-garde cinema of the 1960s, including Andy Warhol, Jonas Mekas, Stan Brakhage, and Maya Deren. These filmmakers were all pioneers in their own right, and their work helped to shape the course of avant-garde cinema.
The Films of the Avant-Garde Cinema
Grünewald also discusses some of the most important films of the avant-garde cinema of the 1960s, including "Chelsea Girls" (1966), "Wavelength" (1967), and "The Flicker" (1965). These films are all challenging and unconventional, but they are also essential viewing for anyone interested in the history of film.
The Legacy of the Avant-Garde Cinema
The avant-garde cinema of the 1960s had a profound impact on the history of film. It helped to break down the traditional boundaries of cinema and opened up new possibilities for filmmakers. The films of the avant-garde cinema of the 1960s continue to be influential today, and they continue to inspire new generations of filmmakers.
Why You Should Read This Book
"A Film is a Film: The Avant-Garde Cinema of the 1960s" is a comprehensive and insightful look at one of the most important periods in film history. This book is essential reading for anyone interested in the avant-garde cinema of the 1960s, as well as for anyone interested in the history of film in general.
Conclusion
"A Film is a Film: The Avant-Garde Cinema of the 1960s" is a must-read for anyone interested in the avant-garde cinema of the 1960s. This book is a comprehensive and insightful look at one of the most important periods in film history. If you are interested in learning more about the avant-garde cinema of the 1960s, then I highly recommend that you read this book.
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