Cinema 2 - Deleuze, Gilles

Cinema 2: The Time-Image

In Cinema 2, Gilles Deleuze argues that cinema is not simply a means of reproducing reality, but rather a way of creating new realities. He develops a theory of the "time-image," which he argues is the essential characteristic of cinema. The time-image is not simply a representation of time, but rather a way of experiencing time itself. Deleuze's theory of the time-image has been influential in the development of film theory and criticism, and it has also been used to analyze other forms of art and culture.

The Movement-Image and the Time-Image

Deleuze begins Cinema 2 by distinguishing between two types of images: the movement-image and the time-image. The movement-image is an image that represents movement, while the time-image is an image that creates movement. Deleuze argues that the movement-image is characteristic of classical cinema, while the time-image is characteristic of modern cinema.

The movement-image is based on the idea of continuity. It presents a series of images that are connected to each other in a logical way, and it creates the illusion of movement by showing these images in rapid succession. The time-image, on the other hand, is based on the idea of discontinuity. It presents a series of images that are not necessarily connected to each other in a logical way, and it creates the illusion of movement by juxtaposing these images in a way that creates tension and suspense.

The Crystal-Image and the Brain-Image

Deleuze also distinguishes between two types of time-images: the crystal-image and the brain-image. The crystal-image is an image that is clear and distinct, while the brain-image is an image that is模糊 and indistinct. Deleuze argues that the crystal-image is characteristic of classical cinema, while the brain-image is characteristic of modern cinema.

The crystal-image is based on the idea of representation. It presents a clear and distinct image of the world, and it invites the viewer to identify with the characters and events that are depicted. The brain-image, on the other hand, is based on the idea of abstraction. It presents a模糊 and indistinct image of the world, and it invites the viewer to think about the world in new ways.

The Body and the Mind

Deleuze argues that the movement-image and the time-image are not simply two different ways of representing the world. They are also two different ways of experiencing the world. The movement-image is experienced through the body, while the time-image is experienced through the mind.

The movement-image appeals to our senses. It creates the illusion of movement, and it invites us to identify with the characters and events that are depicted. The time-image, on the other hand, appeals to our intellect. It challenges our assumptions about the world, and it invites us to think about the world in new ways.

The Conclusion

Deleuze concludes Cinema 2 by arguing that cinema is a powerful art form that can change the way we see the world. He says that cinema can "make us see the world differently, and make us think differently about the world."

Cinema 2 is a challenging and rewarding book that offers a new way of thinking about cinema. It is a must-read for anyone interested in film theory, criticism, or art history.

Why You Should Buy This Book

Cinema 2 is a seminal work of film theory that has influenced the development of film theory and criticism for over 50 years. It is a must-read for anyone interested in film theory, criticism, or art history.

*Deleuze's theory of the time-image is a powerful tool for analyzing film and other forms of art and culture. It can help us to understand how these works create meaning and how they affect us.

Cinema 2 is a challenging and rewarding book that will change the way you think about cinema. It is a must-read for anyone who loves film.