Closed Signal: Brazilian Popular Music Under Censorship

Introduction

In "Closed Signal: Brazilian Popular Music Under Censorship," Alberto Moby Ribeiro da Silva provides a comprehensive and insightful examination of the censorship of popular music in Brazil during the military dictatorship that lasted from 1964 to 1985. Drawing on extensive research and analysis, Silva presents a compelling narrative that sheds light on the complex interplay between music, politics, and society in Brazil during this tumultuous period.

Historical Context

The book begins by providing a detailed historical context of the military dictatorship in Brazil, explaining the political and social factors that led to the rise of authoritarian rule. Silva highlights the role of the military in suppressing dissent and controlling public discourse, including the censorship of music and other forms of artistic expression.

Censorship Mechanisms

Silva then delves into the specific mechanisms of censorship employed by the military regime. He describes the various institutions and regulations that were established to monitor and control musical content, including the Division of Censorship of Public Shows and Diversions (DCDP) and the Index of Censored Music (IMC). Silva also discusses the methods used by censors to identify and ban songs deemed subversive or politically sensitive.

Impact on Musicians and Artists

The book explores the profound impact of censorship on Brazilian musicians and artists. Silva provides numerous examples of songs that were censored or banned, and he recounts the personal experiences of musicians who faced persecution and repression for their work. The book highlights the courage and resilience of these artists, who continued to create and perform music despite the risks involved.

Resistance and Subversion

Despite the oppressive censorship, Silva argues that Brazilian musicians and artists found creative ways to resist and subvert the regime's control. He analyzes the use of allegory, symbolism, and coded language in music to convey political messages without explicitly challenging the authorities. Silva also discusses the emergence of alternative music scenes and underground networks that provided spaces for musicians to express themselves freely.

Legacy and Significance

In the final section of the book, Silva examines the legacy and significance of censorship in Brazilian popular music. He argues that the experience of censorship has left a lasting impact on Brazilian society and culture, shaping the way music is produced, consumed, and understood in the country. Silva also reflects on the broader implications of censorship for freedom of expression and artistic creativity.

Conclusion

"Closed Signal: Brazilian Popular Music Under Censorship" is a meticulously researched and engagingly written book that offers a valuable contribution to the study of music, censorship, and authoritarianism in Brazil. Silva's work provides a deep understanding of the complex relationship between music and politics, and it sheds light on the resilience and creativity of artists in the face of oppression. This book is essential reading for anyone interested in Brazilian history, music, and the struggle for freedom of expression.