Painting as Model: Yve-Alain Bois

A Seminal Work on the Relationship Between Painting and Photography

In his groundbreaking book, Painting as Model, Yve-Alain Bois argues that painting and photography are not simply two distinct media, but rather two sides of the same coin. He traces the development of painting from its origins in the Renaissance to its eventual displacement by photography in the 19th century, showing how the two media have always been in a state of mutual influence and exchange.

Bois's book is a major contribution to the study of art history, and it has been praised for its originality, its rigor, and its elegance. It is a must-read for anyone interested in the relationship between painting and photography, and it is sure to change the way you think about both media.

Bois's Argument

Bois argues that painting and photography are not simply two different ways of representing the world, but rather two different ways of thinking about it. Painting is a way of thinking about the world in terms of its forms and colors, while photography is a way of thinking about the world in terms of its light and shadow.

Bois traces the development of painting from its origins in the Renaissance to its eventual displacement by photography in the 19th century, showing how the two media have always been in a state of mutual influence and exchange. He shows how painting influenced the development of photography, and how photography, in turn, influenced the development of painting.

Bois's book is a major contribution to the study of art history, and it has been praised for its originality, its rigor, and its elegance. It is a must-read for anyone interested in the relationship between painting and photography, and it is sure to change the way you think about both media.

Key Concepts

• The indexicality of photography: Bois argues that photography is an indexical medium, which means that it is directly linked to the object it represents. This is in contrast to painting, which is a symbolic medium, which means that it represents objects through symbols.
• The gaze: Bois argues that the gaze is a key concept in understanding the relationship between painting and photography. He shows how the gaze of the painter is different from the gaze of the photographer, and how this difference has implications for the way we think about the two media.
• The aura: Bois argues that the aura is a key concept in understanding the relationship between painting and photography. He shows how the aura of a painting is different from the aura of a photograph, and how this difference has implications for the way we think about the two media.

Conclusion

Painting as Model is a major contribution to the study of art history, and it is a must-read for anyone interested in the relationship between painting and photography. Bois's book is a brilliant and original work of scholarship that is sure to change the way you think about both media.

Why You Should Buy This Book

If you are interested in art history, or if you are simply interested in the relationship between painting and photography, then you should buy this book. Painting as Model is a brilliant and original work of scholarship that is sure to change the way you think about both media.

Here are a few reasons why you should buy this book:

• It is a major contribution to the study of art history.
• It is a must-read for anyone interested in the relationship between painting and photography.
• It is a brilliant and original work of scholarship.
• It is sure to change the way you think about both media.

So what are you waiting for? Buy Painting as Model today!